Dune, Famous, is a work that cannot be photographed. It has four appendices and a glossary of its own gossip, and is done on two planets, one of which is a worm-infested desert the size of airport runways. Lots of important people die or try to kill each other, all linked to about eight intertwined subplots. But as Denis Villeneuve, director of the latest attempt to bring it up Dune On screen, he says of the pledge, “We are bound to try to do the impossible.”
Frank Herbert’s 1965 novel is more than just a story of terrible size. What people mean when they say it can’t be photographed, is probably less I can not It is filmed and more than that it does not plead.
Dune It is a space opera, an allegory of an environmental disaster, a discovery of power – and an endless source of inspiration for all kinds of endeavors beyond literature. In the half century since the novel first appeared, its ideas and philosophies have appeared in everything from cybersecurity and modern spirituality to views on war. Its meaning no longer lies solely on the page; It lives in how people consume it and transform it, like a sandworm that moves under culture. The Villeneuve movie is just one revolution. Here, we celebrate some of the rest. Alright, well, we’re going to break up the stationary suit, too. We’re still obsessed, after all. —Editors
More from Spice World: WIRED Special Series on Dune