The other two, the hit comedy series HBO Max, which ended its long-awaited second season on September 23, it was recently renewed for a third, but co-creator Sarah Schneider admits that she is still full of self-doubt, despite passionate followers of the show. Asked if she felt the same cheating syndrome as Brooke Dubeck (Helen York), one of the titular “other two”, she was completely frank: “I’m a writer, does that answer your question? We live in a society where you can go online at any time and see how much better one of you is doing. “
Created, written and executive, produced by Schneider and her ex Saturday night live co-executive writer Chris Kelly, The other two debuted in 2019 at Comedy Central, it immediately became a critical success with a lively fan base that encompasses the show’s wildly specific cultural references, targeted satire of the entertainment industry and a winning combination of sincerity and chaos.
The series, now on HBO Max, focuses on two certified millennials – “search, it’s 1982 and beyond” – struggling to become more than just a family group to applaud their much-known 13-year-old brother Chase. (Walker case) and mother, Pat (Molly Shannon). Although the first season puts Brooke and her brother Carrie (Drew Tarver) on the outskirts of Chase, after he marked Bieber’s status with an overnight viral bop.Marry you on vacationThe second season positioned the “other two” as champions of their mother’s rise to the queen of daily talk shows. Yet they both yearn to make a name for themselves in the entertainment world – Carrie as an actor and Brooke as a music manager – without becoming the same industrial fences they swear they will never become.
To better understand Brooke and Carrie’s transition from fame neighbors to sought-after professionals, I sat down with Schneider and Tarver to talk. The other twothe definition of success and morale – as well as what we can expect in season 3.
Do you think Brooke and Carrie get anything out of being outsiders? Are they enjoying this failure a little?
Tarver: I don’t think they realize they’re addicted to anxiety. Maybe they need this fight. Much of the comedy comes from this struggle. This is a question I have answered in therapy.
Schneider: Because they have lived in this reality for so long, this is part of the way they identify. They identify as outsiders; they identify as those losers, though Brooke would never say that out loud. So when Carrie and Brooke start hearing from outside forces that they’re doing a little better than they think, it surprises them because the “other two” have been their identity for so long. It is unpleasant to hear for the first time that someone sees you in a way that you do not see yourself.
Do you think that any of them can be successful without external validation?
Schneider: Our show and their characters are so wrapped up in pop culture and the news and social media cycle; so much of what [Brooke and Cary] the value itself is based on external forces. This is something our show is trying to comment on. Our heroes and many of us now compare our success to what other people do. Because everyone I see, or everyone I follow, does much better, they do it faster, they do it when they are younger. So I think a lot about what [these characters] I think the success is in the context of this bigger world where they are so ingrained, which is bad.
How do you think romantic relationships fit into their ideas of success?
Tarver: I think for Carrie, because he came out later in life and trying to get as close to success as possible, he’s like, If I have a boyfriend, I will succeed. I have understood all my demons and I am on my way with everyone else. And he realizes that there is little more to explore. He doesn’t know himself that well and he still has demons inside him that he has to conquer in order to really maintain a healthy relationship.
Schneider: I think she learns about Brooke that with more success in her career, relationships fall apart. Her struggle in season 2 is the result of professional success; her personal relationships no longer have a place in her life when she works all the time. So this is a whole new struggle for her that she has to face and many of us have faced it when working in this industry.
I wonder what the conversations were about Carrie and Brooke joining Christsong, a church that is more adjacent to Christianity, run by a celebrity social club, than a real church.
Schneider: We obviously want Brooke and Carrie to be nice at the end of the day, but we like to send them down dark paths in search of fulfillment, as long as those dark paths come from a place that’s founded and comes from a moral center.
The only reason they try to stay in this church is because Carrie so desperately needs a step forward in her career. He’s so backward all the time we know him, and Brooke desperately wants to stay because he doesn’t have time for himself and friends. So what they see and can gain from these things are relative needs deep in their bones, so even though they dance a little with the devil and stick to the line of morality, they end up withdrawing just before they jump completely out of it. the rock.
But we also like to oppose them to Chase, who learns that this church is problematic and literally takes two seconds to completely deny and expose the whole faith. We like that they have these flaws and these needs that Chase may not have because he’s doing so well in so many aspects of this life.
Tarver: It’s such a funny thing that it takes them this whole episode to get over it, and it takes Chase a second to pick up a hot mic.
What was the process of developing Brooke and Carrie’s moral compasses?
Schneider: Everything these characters do, we want to feel the core of the truth in it, and it’s as if we could see ourselves doing it or entertaining the idea of it if we have no restraints and no consequences or social consequences.
Tarver: It’s almost like that thing in a horror movie where you’re like, I would never go to this roombut this is the comedic version of it. But it’s so cool how Chris and Sarah are doing such a good job, slowly turning these characters where you would buy that they would go for it or do it because they’re so desperate right now.
What do you actually see as Brooke’s main motivation? Is it pure validation?
Schneider: In the first season, when we meet her, she is a bit of a wanderer, but by the end of the first season, she is asked to be her brother’s manager and finds that she is good at it. She’s a crook, she knows the world, she knows what’s cool. So this season, when Chase retires and goes to college, she’s eager to stick to it because she’s finally found a place for herself in the world. And that’s why she’s furious not only to keep this job and find clients, but also to prove herself as real, as legitimate.
I need to know why Brooke is so obsessed with getting Alessia Kara as a client.
Schneider: We really just love her and, to a much lesser extent, we really liked her [how her name sounded] over and over. It just sounded so sublime and ridiculous. When we blocked the scene where she finally met, we made Brooke sit on the ground and watch her to express feelings of inferiority, and then, as they talked, they boarded the same plane and sat face to face. We liked to show that she has already reached the level she aspired to and has performed for the entire season.
Finally, do you have any idea where season 3 will take us?
Schneider: All we really know is that we don’t want to watch the show in real time and our characters survive the pandemic. We left our characters after all their complaints were broadcast and everything is on the table. All desires are known. So it will be interesting to see what happens from here. I keep saying, “It’s going to be interesting to see what happens!” For a show where I have to decide what’s going to happen. [Laughs]
This interview was conducted in two separate conversations and was edited and shortened for clarity.
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