Neil Stephenson snow crash It is one of the most famous science fiction books of all time, along with William Gibson’s book nerve cancer It represents the founding text of the cyberpunk movement. science fiction author Anthony Ha Blown snow crash When he first read it in the late ’90s.
He says it in episode 487 of A geek’s guide to the galaxy Audio notation. “So that wasn’t the case snow crash It was the first time I had come across this kind of icon, but it was the first time he looked really cool.”
snow crash It tells the story of Hiro Protagonist, a katana-wielding hacker who jumps back and forth between miserable Los Angeles and a virtual world called the Metaverse. A geek’s guide to the galaxy Host David Bar Kirtley He points out that the novel has inspired countless entrepreneurs and inventors, including John Carmack, Reed Hoffman, and Palmer Lockey. “I started making a list of everyone in Silicon Valley who cited this work as their inspiration, and I kind of stopped at one point, because it was basically everyone,” Kirtley says.
snow crash It’s still as fun and elegant as ever, but some aspects of the book are poorly dated. science fiction professor Lisa Yazek He says that out of the 2021 favour, the book has some weaknesses when it comes to race and gender. “If you’re someone who wants to learn a lot about the history and development of cyberpunk, I still think it’s important to read, because it’s an important intervention,” she says. “It’s the moment before cyberpunk truly becomes a global storytelling mode that all kinds of people – colorists, LGBTQ+ authors – will really start using it.”
science fiction author Sam J Miller Note that the characters in snow crash It also feels a little skinny, so much so that a robotic guard dog named Rat Thing stands out as one of the most sympathetic characters in the book. “In a lot of ways, I think Rat Thing might be the character closest to having a heart, and an emotional arc, that really got me feeling things,” Miller says. “Everyone’s like, ‘They have three pairs of sunglasses on it that’s absolutely gorgeous.'”
Listen to the full interview with Anthony Ha, Lisa Yazik, and Sam J. Miller on Episode 487 of A geek’s guide to the galaxy (above). And check out some of the highlights in the discussion below.
David Bar Kirtley on character development:
“Hiro seemed interesting, he had this interesting background with his parents, and YT had this relationship with her mother. But I felt as if the book kept developing the character, it kind of left me. We didn’t see much of Juanita or Da5id – I mean, it’s In a coma but he could have gotten out of it. There were a lot of characters and a lot of organizations and it got really complicated. It’s all great, everything in this book is so cool, but I kind of felt characterizing [was lacking]. There was no emotional vulnerability or really heart-to-heart moments, people feeling remorse or anything like that. It felt like it was on the surface.”
Anthony Ha on the backstory:
“The problem is that if you read the book about the plot, the [backstory] It becomes a distraction, as in the crucial moments, the climax, suddenly Hiro jumps back into the library and discusses about [ancient Sumeria] With the librarian when he’s about to fight with a sword or something. So especially on first reading, especially if you’re younger, I think your foot is just kind of impatiently clicking like, “Why am I reading this?” … It is a nice McGuffin As for the story, learning about the Sumerian myths was interesting, but there were times when I felt like there were too many words just for Stevenson to basically say, ‘Man, isn’t language just like a virus? Isn’t that cool?’ And I was like, ‘It’s cool, but Maybe it’s not worth many words.”
Sam J. Miller on Floating Cities:
One of the things I did before writing Black Fish City Have you visited – in Cambodia – a community of people who are mainly Vietnamese refugees, and they are basically a floating community. They have a church, and a school, and all of that stuff is on floats, and they have a shop that sells lottery tickets and gasoline, and they have crocodile farms. It’s amazing, and it’s also very tragic, not a very high standard of living. They are there largely because their ability to live on land – due to immigration issues – is limited. [Floating cities] It’s a great idea, but in practice I think it’s the kind of scenario that will only develop when necessary, and probably won’t be very cool.”
Lisa Yazek on economics:
“What is interesting is the use that people have of the virus, which is to use the appropriate bodies to produce goods that do not go to those bodies themselves. And so [Snow Crash] He thinks of work as much as he thinks of language, and that’s the part I find interesting. …in many ways I think it’s a response to William Gibson. I like it because I’m a cliché to utopian thinking, but I think Gibson is often a naive utopian about the ability of marginalized societies to resist assimilation and destruction through definitive engagement with capitalism. I think part of what this book does, and what I love, is that it explores how likely it is – can you really survive outside the nets of capitalism or not? “